'Down' was one of few Blink-182 songs performed by Tom DeLonges next band, Angels & Airwaves. The song peaked at number 10 on Billboards Modern Rock Tracks chart. And as us fans have grown up with the music we've come to understand that revisiting them is as satisfying – and even more poignant – a form of rock escapism as ploughing through battlefields alongside Iron Maiden or tearing up the Sunset Strip with Guns N' Roses. 'Down' is a song by the American rock band Blink-182, released to radio on May 10, 2004, as the third single from the groups 2003 untitled album. These guys understand that you don't truly appreciate the comedy, tragedy and low-key beauty of your teenage years until they're behind you. For many, the idea of men in their late-twenties (writing as men in their early 20s) continuing to fixate on high school hijinks and the flutters of first romance seemed strange, if not a little sad.
Less a song title than a tongue-in-cheek mission statement, What's My Age Again? found the band bravely facing up to the question of whether they might be getting too old for this sophomoric shit – then flicking a punkish two-fingered salute and carrying on regardless. Intro. We’ve done our best, however, to provide a comprehensive overview of the finest milestones on blink’s ever-onward path… With such shifting tones – both sonically and philosophically – different fans from contrasting eras will surely have their own opinions on which sorts of songs belong on a list like this. Bassist/vocalist Mark Hoppus, however, remains a rocksteady constant.ĭig into their eight albums (nine if, like the band, you wish to count 1994’s Buddha demo), however, and you’ll find an artistic evolution drawn out over three decades that few others in rock can match. Original drummer Scott Raynor was replaced by the untouchable Travis Barker in 1998, while guitarist and vocalist Tom DeLonge was swapped out for Alkaline Trio mainman Matt Skiba for their last two LPs.
Maybe it’s that their stop-start output, numerous side-projects and the changing faces of their line-up have undermined their monumental significance as pop-punk figureheads in some fans’ minds. Perhaps it’s an impression informed by the throwaway façade of their early years (an endless barrage of toilet humour fronting, as it does for so many young men, the well of more complex emotion within) having been mistaken for genuine numbskullery. Even two decades since the undeniable artistic watershed of their Untitled LP, there remains a strange consensus amongst many fans that there’s something insubstantial about blink-182’s body of work. 3 I Miss You (blink-182, 2003) For teenagers at the time, whod been brought up on the bands signature cocktail of 100mph pop-punk and unapologetic puerility, the second single from blinks.
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